{"id":3654,"date":"2018-07-30T12:22:04","date_gmt":"2018-07-30T12:22:04","guid":{"rendered":"https:\/\/demo.themeisle.com\/hestia-lawyers\/?p=3654"},"modified":"2024-12-25T10:28:45","modified_gmt":"2024-12-25T10:28:45","slug":"digital-marketing-haiku-because-why-not","status":"publish","type":"post","link":"https:\/\/regiearbeit.de\/?p=3654","title":{"rendered":"EUROPEAN ATHLETICS CHAMPIONSHIPS &#8211; BERLIN 2018"},"content":{"rendered":"<p>\n\t\t<div id=\"wppdfemb-frame-container-4077\" style=\"-webkit-overflow-scrolling:auto;\">\n\t\t\t<iframe src=\"https:\/\/regiearbeit.de\/?url=http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/Host_Broadcaster_Team_Handbook.pdf&#038;index=1&#038;pdfID=4077\"\n\t\t\t\tid=\"wppdf-emb-iframe-4077\"\n\t\t\t\tdata-pdf-index=\"1\"\n\t\t\t\tclass=\"pdfembed-iframe nonfullscreen\"\n\t\t\t\tstyle=\"border:none;width:100%;max-width:100%;min-height:1000px\"\n\t\t\t\tscrolling=\"yes\">\n\t\t\t<\/iframe>\n\t\t<\/div>\n\n\t\tEC2018 HB Production Guidelines 1<\/p>\n<p>HB Live Production Guidelines<\/p>\n<p>1. Line, FACS &amp; Clock Check Procedure<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-1024x308.jpg\" alt=\"\" width=\"750\" height=\"226\" class=\"alignnone size-large wp-image-3852\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-1024x308.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-150x45.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-300x90.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-768x231.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>\u2022 Production Managers to ensure all parties: OB Tech, OB Prod, MCR &amp; QCP are aware of<\/p>\n<p>the procedure, check list and timings. Quality Control Producers are responsible for this<\/p>\n<p>procedure to ensure that all parameters are correct before releasing a feed to the MDS.<\/p>\n<p>(Multi Feeds Distribution). See Annex: Line &amp; FACS Check Procedure<\/p>\n<p>\u2022 Each venue is to check the OB van clock to the MRC master timecode via the lowest delay<\/p>\n<p>communications channel available, either talkback or land line telephone, rather than<\/p>\n<p>mobile telephone or satellite comms. The BVM and Production manager is to set their<\/p>\n<p>watch to the OB van clock and ensure the venue have the same time, such that events<\/p>\n<p>commence on the agreed time.<\/p>\n<p>\u2022 QCP Producer to send in report to respective Heads of Production, Technical Live<\/p>\n<p>Producer and Executive Producer<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9247.jpg\" alt=\"\" width=\"3674\" height=\"1264\" class=\"alignnone size-full wp-image-3767\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9247.jpg 3674w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9247-150x52.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9247-300x103.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9247-768x264.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9247-1024x352.jpg 1024w\" sizes=\"(max-width: 3674px) 100vw, 3674px\" \/>2. Video<\/p>\n<p>\u2022 Production format is: HD SDI &#8211; 1080 i 50 SMPTE 292M<\/p>\n<p>\u2022 Feeds Identification: Each OB Generating a \u2018Feed\u2019 to the MCR is requested to identify the<\/p>\n<p>feed with a graphic layout provided by the Graphics Provider with the Live beauty shot in<\/p>\n<p>the background.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3855\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-768x576.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>\u2022 Production Managers need to request this on-site. This Graphic slate indicates the Next<\/p>\n<p>Production Time for RHBs and MCR. Kindly prepare a prepare a macro function allowing a<\/p>\n<p>freeze frame of Fill and Key. It allows to key the freezed \u201cnext transmission\u201d layout all<\/p>\n<p>night long without permanent graphic source.<\/p>\n<p><span>o <\/span>Example: Athletics: Feed 1: Integrated + Text \u201cNext Transmission\u201d<\/p>\n<p><span>o <\/span>Timings always need to be given in GMT and Local Time (Berlin or Glasgow).<\/p>\n<p>Example: Next Transmission at 1000 GMT \u2013 1200 Local Time (Berlin)<\/p>\n<p>\u2022 Camera Preset Recommendations<\/p>\n<p><span>o <\/span>Matrix: ITU 709<\/p>\n<p><span>o <\/span>White clip level: 700 mV max.<\/p>\n<p><span>o <\/span>Detail level: 10 approx.<\/p>\n<p><span>o <\/span>Crispening: 20 approx.<\/p>\n<p><span>o <\/span>Level DEP: 30 approx.<\/p>\n<p><span>o <\/span>Master Gain: &#8211; 3dB.<\/p>\n<p><span>o <\/span>Gamma Step: 0.45.<\/p>\n<p><span>o <\/span>Black Gamma: low mid range 25 approx. (Applicable for indoor venues)<\/p>\n<p><span>o <\/span>Knee: Off.<\/p>\n<p><span>o <\/span>Saturation: +5 \/+10 (please pay attention to not exceed this value range)<\/p>\n<p><span>o <\/span>Noise suppression: 40 (if applicable)<\/p>\n<p><span>o <\/span>Gamma Table: Hyper 2 (if applicable and excepted AQP)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9229.jpg\" alt=\"\" width=\"10816\" height=\"3632\" class=\"alignnone size-full wp-image-3765\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9229.jpg 10816w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9229-150x50.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9229-300x101.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9229-768x258.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9229-1024x344.jpg 1024w\" sizes=\"(max-width: 10816px) 100vw, 10816px\" \/>EC2018 HB Production Guidelines 2<\/p>\n<p>White clips should not exceed 700 mV. RF camera clips have to be done before the<\/p>\n<p>beginning of the production every day directly on camera head. Robotic, underwater and<\/p>\n<p>mini cameras have to be legalized as far as possible through Frame synchronizer menus.<\/p>\n<p>\u2022 External and Internal beauty shots which are permanently delivered to RHBs. Shaders are<\/p>\n<p>kindly asked to have a constant attention to the shading of these cameras<\/p>\n<p>3. EVS &amp; Recordings<\/p>\n<p>\u2022 EVS Settings<\/p>\n<p><span>o <\/span>IPD Softversion 7.40.32 (Berlin)<\/p>\n<p><span>o <\/span>LSM Multicam 15.3.42 (Berlin). Glasgow \u2013 depends on the OBs<\/p>\n<p><span>o <\/span>Engine 7.2 (Berlin)<\/p>\n<p><span>o <\/span>The applicable codec should be: AVC-Intra 100 (Glasgow + Berlin)<\/p>\n<p>\u2022 Recording<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a.jpg\" alt=\"\" width=\"800\" height=\"600\" class=\"alignnone size-full wp-image-3850\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a.jpg 800w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><span>o <\/span>Start &amp; End of the Recordings: Eurovision Caption (i.e World Feed Start to End)<\/p>\n<p><span>o <\/span>Audio: See Audio Configuration<\/p>\n<p><span>o <\/span>Labels &amp; File Naming should be:<\/p>\n<p>\u00a7 Venue name\u201d_HB_DIRTY_PGM_\u201dDate\u201d_\u201dTC in\u201d_\u201dTC out\u201d<\/p>\n<p>\u00a7 Example: BOS_HB_DIRTY_PGM_20180806_10.00.00.00_12.30.06.17<\/p>\n<p><span>o <\/span>Date format should be: YYYY\/MM\/DD<\/p>\n<p><span>o <\/span>On X File daily archive, please keep EVS encapsulation and do not rewrap to a<\/p>\n<p>.MOV format.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9190.jpg\" alt=\"\" width=\"4032\" height=\"3024\" class=\"alignnone size-full wp-image-3764\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9190.jpg 4032w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9190-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9190-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9190-768x576.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9190-1024x768.jpg 1024w\" sizes=\"(max-width: 4032px) 100vw, 4032px\" \/>\u2022 Berlin<\/p>\n<p><span>o <\/span>Back Up: Each OB will have a VTR recorder to record the dirty feed as ultimate<\/p>\n<p>back up for refeed to the MCR. If Geneva confirms good recording, these tapes<\/p>\n<p>can be re-used the next day. Only the Integrated Feed recordings will be kept as<\/p>\n<p>archive. Each production manager is responsible for ensuring the recordings are<\/p>\n<p>correctly done and brought back to the Production Office.<\/p>\n<p><span>o <\/span>Archive for EA: Hard Disk recording for EA for Integrated feed on PSZ-RA HDD Unit<\/p>\n<p>\u2022 Glasgow<\/p>\n<p><span>o <\/span>No on site recordings for HB, Dirty feed to be kept on EVS for 48hrs<\/p>\n<p><span>o <\/span>2 x SD USB recordings for Federations.<\/p>\n<p>4. Audio<\/p>\n<p>\u2022 See Audio Configuration Annex for all details. Here\u2019s the World Feed configuration<\/p>\n<p><span>o <\/span>Audio 1: Ambient International Sound LEFT<\/p>\n<p><span>o <\/span>Audio 2: Ambient International Sound RIGHT<\/p>\n<p><span>o <\/span>Audio 3: Mono English Commentary. Mute it not available<\/p>\n<p><span>o <\/span>Audio 4: Mono English Commentary + Ambient Sound Reduction<\/p>\n<p><span>o <\/span>Audio 5: Radio International Sound LEFT<\/p>\n<p><span>o <\/span>Audio 6: Radio International Sound RIGHT<\/p>\n<p><span>o <\/span>Audio 7: Public Address Sound LEFT\/Radio Tour (CY)\/Commentary Cue (AT)<\/p>\n<p><span>o <\/span>Audio 8: Public Address Sound RIGHT\/Radio Tour (CY)\/Commentary Cue (AT)<\/p>\n<p>\u2022 If English Commentary, an audio assistant needs to check to position during FACs check<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9313-e1540713808208-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3854\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9313-e1540713808208-1024x768.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9313-e1540713808208-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9313-e1540713808208-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9313-e1540713808208-768x576.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>5. Music items<\/p>\n<p>\u2022 Opening Sequence with embedded music<\/p>\n<p>EC2018 HB Production Guidelines 3<\/p>\n<p>\u2022 Map Locator + Flythrough with embedded music incl music bed out<\/p>\n<p>\u2022 Music Bed for Course Overview: There\u2019s embedded music on the clip, but it cuts off<\/p>\n<p>abruptly at the end. Therefore use the 51 seconds Music \u2018European Championships Loop &#8211;<\/p>\n<p>51\u2019 and ask your sound mixers to loop it.<\/p>\n<p>\u2022 Music Track for Story of the Session (3-2-1) Package. \u201cThe Moment (1\u201909\u201d for 3-2-1 PKG).<\/p>\n<p>Instrumental version<\/p>\n<p>6. Multilateral Running Order (MROs)<\/p>\n<p>Timings in the Run Up and Run Down need to be respected carefully by the production team<\/p>\n<p>and Quality Control Producer (QCP). Right Holders rely on these timings to join or leave the<\/p>\n<p>program. In case of delays, timing overruns, interruptions or cancellation, the Director or PA<\/p>\n<p>need to inform immediately QCP. Depending on the situation QCP informs Booking &amp;<\/p>\n<p>Information and\/or Head of Production and\/or Executive Producer.<\/p>\n<p>\u2022 MRO\u2019s. Production Teams to update generic MROs and send to QCP\/Head of Production<\/p>\n<p>for validation and further distribution. Final Updates need to be send to QCP\/Head of<\/p>\n<p>Productions on day before Competition by 1500<\/p>\n<p>\u2022 Opening Sequence Vision Mixing Procedure<\/p>\n<p><span>o <\/span>Eurovision caption<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-1024x463.jpg\" alt=\"\" width=\"750\" height=\"339\" class=\"alignnone size-large wp-image-3853\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-1024x463.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-150x68.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-300x136.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-768x348.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p><span>o <\/span>CUT<\/p>\n<p><span>o <\/span>Opening Sequence + Map Locator + Fly Through Clip<\/p>\n<p><span>o <\/span>MIX to live internal\/external beauty shot (with Music Fade out)<\/p>\n<p>\u2022 Opening Sequence + Map Locator + Flythrough<\/p>\n<p><span>o <\/span>To be played out as 1 package with music bed in the end<\/p>\n<p>\u2022 Beauty Shots for Common Graphics<\/p>\n<p><span>o <\/span>Each director needs to show editorially relevant shots for Sports ID, Venue ID,<\/p>\n<p>Weather GFX and Schedule ID. They should all tell a different story<\/p>\n<p>\u2022 Wipe:<\/p>\n<p><span>o <\/span>8 frames background dissolve frames centred on frame tga011<\/p>\n<p>\u2022 Global Medal table to be shown in the Worldfeed of the last production of the day<\/p>\n<p>\u2022 2-6 August: By Track Cycling<\/p>\n<p>\u2022 7-12 August: By Athletics.<\/p>\n<p>\u2022 Graphics is produced by ATOS. CY &amp; AT. ATOS to confirm workflow<\/p>\n<p>\u2022 Athletics Medal table to be shown during Victory Ceremonies<\/p>\n<p>\u2022 Closing Sequence. It\u2019s the same as the Opening Sequence, but as standalone item. 32 secs<\/p>\n<p>7. EVS Deliverables<\/p>\n<p>Each Production Team needs to deliver 3 EVS Packages after the end of each Competition. See<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9324-1024x690.jpg\" alt=\"\" width=\"750\" height=\"505\" class=\"alignnone size-large wp-image-3768\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9324-1024x690.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9324-150x101.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9324-300x202.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9324-768x517.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>MROs for exact position in Run Down or Post Run Down<\/p>\n<p>\u2022 Story of the Session (3-2-1) Package<\/p>\n<p><span>o <\/span>The package length is approximately 1 minute. Music is 1\u201909\u201d. Production teams<\/p>\n<p>have a 10 seconds buffer to shorten or extend.<\/p>\n<p>EC2018 HB Production Guidelines 4<\/p>\n<p><span>o <\/span>The package from clean feed should tell the story of the session and feature the<\/p>\n<p>top 3 athletes in the following order 3 \u2013 2 \u2013 1. In case of a multi competition<\/p>\n<p>session, it should show the highlights &amp; key stories of the session<\/p>\n<p><span>o <\/span>With music track and natural sound<\/p>\n<p><span>o <\/span>No Graphics<\/p>\n<p><span>o <\/span>Part of Run Down<\/p>\n<p>\u2022 ISO Melt<\/p>\n<p><span>o <\/span>5 mins length<\/p>\n<p><span>o <\/span>Package from clean feed of unseen angles, slomos and (longer) hyper slomos that<\/p>\n<p>were not part of the World feed. It can also include real time unseen angles. All<\/p>\n<p>shots should come with 1 second handles at the beginning and the end for postproduction<\/p>\n<p>purposes.<\/p>\n<p><span>o <\/span>Audio. International sound, except for real time angles that should come with<\/p>\n<p>associated audio.<\/p>\n<p><span>o <\/span>Production Team to inform QCP about Cue. QCP to inform Logging.<\/p>\n<p><span>o <\/span>After the Run Down, but before the End of Transmission<\/p>\n<p>\u2022 News Package for Eurovision Sports News<\/p>\n<p><span>o <\/span>To be delivered ASAP after the End of Transmission.<\/p>\n<p><span>o <\/span>Production Team to inform QCP about Cue. QCP to inform Logging in Geneva<\/p>\n<p>(Team of Harry Kapros).<\/p>\n<p><span>o <\/span>Length: 3 mins to be fed after every session<\/p>\n<p><span>o <\/span>Produced from Dirty Feed \u2013 with international graphics<\/p>\n<p><span>o <\/span>International audio on track 1 or 2. No commentary<\/p>\n<p><span>o <\/span>Only need rough cuts, no \u201cbeautiful\u201d edit necessary<\/p>\n<p><span>o <\/span>Item should have focus on the winner, but not the complete performance. For<\/p>\n<p>2<span>nd <\/span>and 3<span>rd<\/span>place, only \u201con the side\u201d. Or key moments of multi competition session.<\/p>\n<p><span>o <\/span>DO NOT include slow motions unless it shows something special.<\/p>\n<p><span>o <\/span>Item could include flower\/medal ceremony if available but only about 10\u201d<\/p>\n<p><span>o <\/span>Use editorial judgement, &#8211; include material if there is a particular fall, if the<\/p>\n<p>favorite doesn\u2019t qualify etc. No interview needed unless something particular has<\/p>\n<p>happened<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7-768x1024.jpg\" alt=\"\" width=\"750\" height=\"1000\" class=\"alignnone size-large wp-image-3851\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7-113x150.jpg 113w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7-225x300.jpg 225w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p><span>o <\/span>Always add the final result graphic at the end of each discipline. 5 secs OK<\/p>\n<p><span>o <\/span>Production Team (Spotter\/PA\/Production Manager) to send short dopesheet<\/p>\n<p>(relevant editorial formation e.g results) + Shotlist (rough description with<\/p>\n<p>timecodes of what is in the item) to <span>sportsnews@eurovision.net <\/span>immediately after<\/p>\n<p>the News Package is send.<\/p>\n<p>8. Graphics Use<\/p>\n<p><span>\u2022 <\/span>HB to follow the EBU R 95 Guidelines for Safe Areas for 16\/9 TV Production.<\/p>\n<p><span>o <\/span>We use the EBU Tech Pub R 95 5% limits. See Annex<\/p>\n<p><span>o <\/span>Atos will move graphics horizontally out to these limits and adjust the height of<\/p>\n<p>the Lower 3rds down to these limits for ALL Atos Sports.<\/p>\n<p><span>o <\/span>Glasgow to ask Microplus and Swiss Timing to do the same. We await their<\/p>\n<p>feedback of whether this can be done.<\/p>\n<p><span>o <\/span>Athletics clock GFX is aligned to the Ticker.<\/p>\n<p>\u2022 Each Production to check GFX as soon as possible together with QCP.<\/p>\n<p>EC2018 HB Production Guidelines 5<\/p>\n<p>\u2022 Transparency Levels. EBU requested 85% on all GFX, but might not be fully implemented.<\/p>\n<p>Production Teams to check on-site and report back to Head Of Production<\/p>\n<p>\u2022 Advisory Graphics are to be used for<\/p>\n<p><span>o <\/span>Delays, cancellations, interruptions<\/p>\n<p><span>o <\/span>Coming up next\u2026.<\/p>\n<p><span>o <\/span>Unilaterals<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c9b31098-cbdc-4f96-b141-c5b333d2f473-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3856\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c9b31098-cbdc-4f96-b141-c5b333d2f473.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c9b31098-cbdc-4f96-b141-c5b333d2f473-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c9b31098-cbdc-4f96-b141-c5b333d2f473-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c9b31098-cbdc-4f96-b141-c5b333d2f473-768x576.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p><span>o <\/span>Free Text (from 1 to 3 lines maximum)<\/p>\n<p><span>o <\/span>Timings always need to be given in UTC\/GMT and Local Time (Berlin or Glasgow).<\/p>\n<p>Example: Next Transmission at 1000 GMT \u2013 1200 Local Time (Berlin)<\/p>\n<p><span>o <\/span>Production Team to advise GFX provider on the exact timings<\/p>\n<p><span>o <\/span>See examples below<\/p>\n<p>9. Naming Conventions<\/p>\n<p>\u2022 There is a document in the Production folder precising all naming conventions and<\/p>\n<p>country names for the event.<\/p>\n<p>10. Start Lists<\/p>\n<p>\u2022 Production Manager to liaise with the LOC to agree on a procedure to bring start lists to<\/p>\n<p>the OBVAN and FOP if required<\/p>\n<p>11. Power<\/p>\n<p>\u2022 BVM\/Head of Technical Operations responsible<\/p>\n<p>12. Sports Presentation &amp; Photographers<\/p>\n<p>\u2022 Ensure that Photographers &amp; Sport Presentation cameras don\u2019t hinder HB cameras, but<\/p>\n<p>let them do their job. Common sense to prevail<\/p>\n<p>\u2022 Check with the local Sports presentation venue manager to send you their latest running<\/p>\n<p>order, so the TV director knows what\u2019s coming.<\/p>\n<p>\u2022 Check Running order for special awards during Medal\/Award ceremonies<\/p>\n<p>\u2022 Photographers: Get in contact with your venue photo manager to ensure that both of us<\/p>\n<p>can do our job.<\/p>\n<p>13. Production manager<\/p>\n<p>\u2022 Responsible for the full production team as well as the full tech team such as OB Provider,<\/p>\n<p>RF Provider, Special Cam Providers. Inform them about arrival, departure and timings.<\/p>\n<p>\u2022 Central point of contact between Production and Tech Team and all other stakeholders in<\/p>\n<p>Production: Graphics Provider, Competition Management, BVM, VTM, Head of Production<\/p>\n<p>\u2022 Ensure team members behave and have appropriate appearance. Regardless of the<\/p>\n<p>supplier everybody operates under the EPC flag.<\/p>\n<p>\u2022 The role of the Floor Manager is very particular. He\/She will be the face of the HB<\/p>\n<p>Production during competition with Competition Management and Sports Presentation<\/p>\n<p>\u2022 Keep the FOP (Field of Play) as clean as possible, both in terms of cabling as HB staff. No<\/p>\n<p>need for staff with no job there. Access to FOP only with BIB<\/p>\n<p>\u2022 Reporting: Kindly send Head of Production a daily bullet point list of production related<\/p>\n<p>issues<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9195-e1540713958180-768x1024.jpg\" alt=\"\" width=\"750\" height=\"1000\" class=\"alignnone size-large wp-image-3857\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9195-e1540713958180-768x1024.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9195-e1540713958180-113x150.jpg 113w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9195-e1540713958180-225x300.jpg 225w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<p>EC2018 HB Production Guidelines 6<\/p>\n<p>\u2022 Responsible for picking up and distributing BIBs and Camera Stickers<\/p>\n<p>14. Unilateral Bookings<\/p>\n<p>\u2022 Glasgow only: Each OB is specified for Pre &amp; Post session Unilateral bookings, Mixed Zone<\/p>\n<p>position, 1 x Camera (from main coverage), Stick Mics &amp; IFB<\/p>\n<p>\u2022 Coordination by BVM &amp; Booking<\/p>\n<p>15. Editorial Guidelines<\/p>\n<p>\u2022 No naming with GFX of VIPs in stands. When showing VIPs (without titles) always make it<\/p>\n<p>a tight \u2018crowd\u2019 shot, with min 2-3 other persons in the shot.<\/p>\n<p>\u2022 Grave injuries: Cover it in a \u2018journalistic\u2019 way but keep level of decency and respect for the<\/p>\n<p>athlete. No ostrich policy. Be careful what to show with live cameras. If situation allows,<\/p>\n<p>use replays to explain and &#8211; if not shocking \u2013 show details.<\/p>\n<p>\u2022 Security Incidents. Cover it in a journalistic way, but do not focus on it.<\/p>\n<p>\u2022 Medal Ceremonies Coverage. See separate Guidelines.<\/p>\n<p>16. Advisory Graphics<\/p>\n<p>EC2018 HB Production Guidelines 7<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9393.jpg\" alt=\"\" width=\"1932\" height=\"2576\" class=\"alignnone size-full wp-image-3769\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9393.jpg 1932w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9393-113x150.jpg 113w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9393-225x300.jpg 225w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9393-768x1024.jpg 768w\" sizes=\"(max-width: 1932px) 100vw, 1932px\" \/><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/decf6fe6-93e8-47cb-9d7f-bba47c541968-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3848\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/decf6fe6-93e8-47cb-9d7f-bba47c541968.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/decf6fe6-93e8-47cb-9d7f-bba47c541968-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/decf6fe6-93e8-47cb-9d7f-bba47c541968-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/decf6fe6-93e8-47cb-9d7f-bba47c541968-768x576.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c07d8bf0-aa29-4c2a-b28a-a19b4d53e844-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3849\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c07d8bf0-aa29-4c2a-b28a-a19b4d53e844-1024x768.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c07d8bf0-aa29-4c2a-b28a-a19b4d53e844-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c07d8bf0-aa29-4c2a-b28a-a19b4d53e844-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c07d8bf0-aa29-4c2a-b28a-a19b4d53e844-768x576.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/c07d8bf0-aa29-4c2a-b28a-a19b4d53e844.jpg 1600w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3850\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a.jpg 800w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8fde76fc-2224-4a87-8911-e78e2941000a-768x576.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7-768x1024.jpg\" alt=\"\" width=\"750\" height=\"1000\" class=\"alignnone size-large wp-image-3851\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7.jpg 768w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7-113x150.jpg 113w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/8e870738-ef6f-466a-9c6b-279a918d5ac7-225x300.jpg 225w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/> <img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-1024x308.jpg\" alt=\"\" width=\"750\" height=\"226\" class=\"alignnone size-large wp-image-3852\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-1024x308.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-150x45.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-300x90.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9224-768x231.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-1024x463.jpg\" alt=\"\" width=\"750\" height=\"339\" class=\"alignnone size-large wp-image-3853\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-1024x463.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-150x68.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-300x136.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9255-768x348.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/IMG_9313-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3854\" \/> <img decoding=\"async\" src=\"http:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-1024x768.jpg\" alt=\"\" width=\"750\" height=\"563\" class=\"alignnone size-large wp-image-3855\" srcset=\"https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c.jpg 1024w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-150x113.jpg 150w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-300x225.jpg 300w, https:\/\/regiearbeit.de\/wp-content\/uploads\/2018\/07\/674a112e-8179-42f1-a038-28ccf761e54c-768x576.jpg 768w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EC2018 HB Production Guidelines 1 HB Live Production Guidelines 1. Line, FACS &amp; Clock Check Procedure \u2022 Production Managers to ensure all parties: OB Tech, OB Prod, MCR &amp; QCP are aware of the procedure, check list and timings. Quality Control Producers are responsible for this procedure to ensure that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3856,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[27],"class_list":["post-3654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-sport"],"_links":{"self":[{"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/posts\/3654"}],"collection":[{"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3654"}],"version-history":[{"count":5,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/posts\/3654\/revisions"}],"predecessor-version":[{"id":4078,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/posts\/3654\/revisions\/4078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=\/wp\/v2\/media\/3856"}],"wp:attachment":[{"href":"https:\/\/regiearbeit.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/regiearbeit.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}